This auction marks only the second time a dedicated sale on this topic has been held. The collection, assembled over the past twenty years, began with a single tea caddy given as a birthday gift. From this, a deep fascination with the aesthetic, forms, markings, and history of Chinese export silver grew, resulting in this remarkable and diverse offering. The pieces, sourced from around the globe, represent an excellent cross-section of typical forms, decorative patterns, and artisans active chiefly in Canton and Shanghai during the late Qing and early Republic periods.
Initially, Chinese export silver mirrored and emanated the Anglo styles produced in London. However, from the mid-19th century, distinct forms and decorations began to emerge, lasting nearly a century and spanning a wide range of vessels and objects.
For further reading on Chinese export silver, retailer’s, their wares and decoration please see our blog here and a selection of past sale successes here.
Ye Bo 葉伯
A prominent workshop in Canton noted for finely worked figural or scenic tableau, this workshop almost exclusively supplied the Canton retailer Wang Hing and the Shanghai retailer Luen Wo.
Sui Chang 遂昌
The Canton based workshop of Sui Chang is noted for large high-quality wares, particularly with finely pierced decoration such as trays and dragon footed bowls.
Lot 108, A late 19th / early 20th century Chinese export silver bowl on stand, Canton circa 1900, marked Sui Chang, retailed by Wang Hing, £2,000-£3,000
Tai Chang Long 泰昌隆
This workshop is noted for producing this idiosyncratic form of bowl modelled after the European spittoon, or in Portuguese a cuspidor.
Qiu Ji 求記
A very prominent Canton workshop, this mark is often to be found on items featuring finely pierced and embossed workmanship, as well as trays with deftly executed engraved and flat chased scenes, such as village life or cranes. The mark reading Qiu Ji, or the workshop of Qiu.
Lot 122,A late 19th century Chinese export silver tray, Canton circa 1890, marked Qiu Ji, retailed by Wang Hing, £1,500-£2,500
Quan 泉
It is likely this mark 泉 (QUAN) alone relates to the mark 泉記 (Quan Ji, the workshop of Quan), having changed around 1880.
Lot 124, A late 19th century Chinese export silver standing cup, Canton dated 1886 marked Quan Ji, retailed by Wang Hing, £2,000-£3,000
Zhuo 卓
A workshop responsible for a variety of decoration over a broad selection of vessels, who is often found supplying Wang Hing.
Hou Xiang 厚祥
These workshops were located in Canton and Shanghai. Noted for a variety of bowls and some comports.
Lot 100, An early 20th century Chinese export silver bowl, Shanghai circa 1910, marked Hou Xiang, retailed by Wang Hing, £1,000-£2,000
Hui 匯
An earlier period and quite prolific workshop with many pieces dated to the 1870’s and possibly earlier.
Lot 37, A late 19th century Chinese export silver mug, Canton circa 1870, marked Hui, retailed by Cum Wo of Hong Kong, £600-£800
Lot 38, A mid-19th century Chinese export silver cheroot case, Canton circa 1860, marked Hui, retailed by Khe Cheong, £300-£500
Bao Sheng 寳生
A prominent workshop producing a broad selection of vessels with various patterns of decoration, one that appears to have only supplied the Wang Hing Store retailer, which operated in Canton from the 1860’s, and also from Hong Kong in the early 20th century.
Kun He 昆和
A workshop operating in Shanghai from around the turn of the last century producing well-made holloware often using cast and applied decoration and notable dragon bowls.
Ning Zhao Ji 甯兆記
A noteable workshop supplying high quality wares including a prominent centrepiece to a variety of retailers, especially Luen Wo of Shanghai.
Heng Lai 恒來
A workshop noted for very high quality decoration often on quite large and detailed vessels.
Outside the main centres of production in Canton and Shanghai (and similarly Hong Kong), there were a selection of makers and retailers operating in other cities throughout China. Often identified by the incorporation of the town name within the marks, distinct idiosyncratic styles of working become identifiable. In the case of Jiujiang where a number of stores operated, most prominently 涂茂興 (TU MAO XING), these wares usually demonstrate tight bands of densely worked decoration often of figural battle scenes alternating with foliage.
Chengdu 成都
Wuhu 蕪湖
Tianjin 天津
Beijing 北京
Hankou 漢口
Jiujiang 九江
Chinese silver filigree of the Qianlong period has survived over a remarkable array of objects and sets. Several of these caskets of the shape below are known, including seven in the highly important set owned by Catherine The Great (1726-96), which was acquired in Tibet between 1740-50.
Bibliography
Dr Adrien Von Ferscht is the leading scholar in the study of Chinese export silver and its marks, publishing this research in the online third edition of Chinese Export Silver – the definitive collector’s guide (2015). We are grateful to Dr Adrien for the generous support given to the department over the years with aid to cataloguing and identifying marks for Chinese export silver.
Kwan. S. (2018) Chinese Export Silver – The Muwen Tang Collection. Hong Kong: Muwen Tang Fine Arts Publication Ltd.
Chan. L. (2017) The Silver Age – Origins and Trade of Chinese Export Silver. Hong Kong: Hong Kong Maritime Museum.
Chan. D. (2005) Chinese Export Silver – The Chan Collection. Singapore: The Asian Civilisations Museum.
Marlowe, A.J. (1990) Chinese Export Silver – Catalogue of an exhibition at the galleries of John Sparks. London: John Sparks Limited
For further examples of Chinese Export silver, but with outdated mark attributions, see:
Forbes, Crosby, H.A., Devereux Kernan, J., & Wilkins, R.S. (1975) Chinese Export Silver 1785 to 1885. Massachusetts: Museum of the American China Trade.
Also:
Devereux Kernan, J. (1985) The Chait Collection of Chinese Export Silver. New York: Chait Gallery