John Ward: Sculptural Studio Pottery That Captures Stillness and Form

"There is something compelling about the making of pots, regardless of function, which keeps me within the particular sphere; they are the focus of many interests and associations." – John Ward

John Ward is widely regarded as one of Britain’s most admired ceramic artists. Known for his serene yet striking sculptural forms, Ward’s work continues to attract serious interest from museums, scholars and collectors of British studio ceramics.

Lot 9. John Ward sculptural studio pottery vase, circa 1993. Estimate: £1,500-£2,500.

A Continuing Legacy in Studio Pottery

British studio pottery has enjoyed a resurgence over recent decades. Since the 1920s, when Bernard Leach first brought the movement to prominence, a number of makers have followed with distinctive voices of their own. While names such as Lucie Rie and Hans Coper now command top-tier attention, John Ward represents an equally compelling figure. His works remain more accessible but are deeply valued for their purity of form, surface texture and meditative presence.

 John Ward sculptural studio pottery vase, circa 1993

Ancient Inspirations, Contemporary Language

Ward’s ceramics reflect a timeless visual language drawn from ancient pottery traditions. He has cited inspiration from pre-glaze Chinese and Egyptian wares, Cypriot forms and Persian bowls. His works are hand-built using flattened coils with pinched bases, resulting in hollow, organic vessels that are at once grounded and otherworldly.

"My aim is to make pots which have simple forms with integral decoration and aspects which can interact with the environment in interesting ways; to try and express a balance between these dynamic qualities and a sense of stillness or containment." – John Ward

This philosophy is visible in the gentle undulations of his pots, which are often created by cutting and rejoining sections to achieve harmonious proportions. A burnished finish, achieved with a pebble, combined with soft matt glazes and careful double firing, produces a surface that encourages quiet reflection.

John Ward studio pottery vase, circa 1993.

Why Collect the Work of John Ward?

Museum Recognition - Ward’s ceramics are held in major public collections, including the Victoria and Albert Museum, affirming their significance in the story of British studio pottery.

Sculptural Appeal - His pieces, with their sculptural presence and carefully balanced forms, sit effortlessly in both modern and traditional interiors. 

Collectible Value - While still comparatively affordable within the studio ceramics market, Ward’s work is increasingly recognised by collectors seeking thoughtful, hand-built work with lasting relevance.

Interested in British Studio Pottery or Decorative Design?

If you already own works by John Ward or his contemporaries, the Design Department at Chiswick Auctions offers complimentary valuations and expert market guidance.

Contact the Design Department
Email: design@chiswickauctions.co.uk

Whether you are looking to sell, consign for auction, or learn more about the ceramics market, our specialists are here to assist.