If you are interested in bidding but are unable to attend the auction in person, contact our bids department to arrange a live telephone bid or to leave an absentee bid. Email us at ku.oc1542703204.snoi1542703204tcuak1542703204ciwsi1542703204hc@sd1542703204ib1542703204 or call +44 (0)20 8992 4442
Or
Bid online at The Saleroom
Bid online at Invaluable
David Shrigley (British b.1968), ‘Don’t’, 2018, screenprint in colours on Somerset 410 gsm paper, signed, dated and numbered from an edition of 125 in pencil verso; sheet: 76 x 56cm ARR
Estimate: £1,000-£1,500
Tracey Emin (British b.1963), ‘The Golden Mile’, 2012, etching on 350 gsm Hahnemuhle paper, signed, titled, dated and numbered from an edition of 300 in pencil; sheet: 42.5 x 50cm ARR
Estimate: £1,000-£1,500
Keith Haring (American 1958-1990), untitled (Acrobat), 1983, lithograph on paper, from an edition of 300, published by Lucia Amelio Gallery, Napoli, Italy; 53 x 39cm inc frame
Estimate: £500-£600
Gilbert & George (British Duo), a collection of 5 exhibition posters from Scapegoating Pictures, White Cube, Bermondsey, 2014, all signed by both artists in black marker; sheet: 89 x 61cm each (5)
Estimate: £300-£400
Oli Epp (British b.1994), ‘Multi Multitasking’, 2018, silkscreen in colours on Rivoli paper, signed and numbered from an edition of 100 in pencil; sheet: 70 x 50cm
ARR
Estimate: £1,000-£1,500
Grayson Perry (British b.1960), ‘House Of Love Shrine’, 2017, steel shrine with figures, from an edition of 50; shrine: 60 x 30 x 17.5cm
With Serpentine Galleries COA
ARR
Estimate: £4,500-£5,500
Chryssa (Greek/American 1933-2013), a set of four silkscreens in colours, all signed and numbered from matching editions of 100 in pencil, all with Styria Studio blindstamps; sheet: 102 x 85cm each
ARR
Estimate: £700-£1,000
Julian Opie (British b.1958), ‘Woman Taking Off Man’s Shirt. 5’, 2003, screenprint in colours on paper; 105 x 67cm inc frame
Estimate: £600-£800
Russell Marshall (British), ‘Just Elvis (Pink)’, 2012, screenprint in colours on 410 gsm Somerset paper, signed in pencil, with blindstamp; sheet: 39 x 33cm ARR
Estimate: £100-£150
Pete Hawkins (Panama b.1980), ‘War Games’, 2011, oil on a reclaimed wooden school deck top, signed, titled and dated in black marker verso; 61 x 122cm
Estimate: £3,000-£4,000
Jonathan Yeo (British b.1970), ‘Paris Hilton’, 2008, offset lithograph in colours, signed in black marker pen; sheet: 71 x 54.5cm
ARR
Estimate: £250-£350
Katrin Fridriks (Icelandic b.1974), Royal Gene & Ethics’, 2015, screenprint in colours with gloss varnish overprint and embossed detail, on 410gsm Somerset Satin paper, signed, dated and numbered from an edition of 70 in silver pen; sheet: 130 x 130 cm
ARR
Estimate: £1,300-£1,800
Sarah Lucas (British b.1962), ‘NUD’, 2013, polymer gravure print on Somerset paper, signed and numbered from an edition of 100 in pencil; sheet: 47 x 36.5cm
ARR
Estimate: £400-£600
Alaric Hammond (British), ’50 Bottles Found In The Street’, 2011, etching and corrosion process on zinc plates mounted on wood, signed and dated to the wood mount verso; 115.5 x 75cm
ARR
Estimate: £550-£650
Christoper Wool & Felix Gonzalez-Torres (Colab), ‘untitled (The Show Is Over)’, 1993, offset lithograph on paper; sheet: 142 x 94cm
Estimate: £2,000-£2,500
David Shrigley (British b.1968), ‘Another Task For You’, 2017, screenprint in colours on 410 gsm Somerset Satin paper, signed, dated and numbered from an edition of 100 verso; sheet: 75 x 56cm With Jealous Print Studio COA
ARR
Estimate: £3,500-£4,500
Charming Baker (British b.1964), ‘Sorry’, 2015, archival inkjet with 1 colour screenprint overlay and 24 carat gold leaf on Somerset Satin Enhanced 330gsm paper with Deckled Edge, signed and numbered from an edition of 25 in pencil, with Charming Baker blindstamp; sheet: 58.5 x 53.5cm
With COA
ARR
Estimate: £300-£400
After Andy Warhol, ‘Jackie O’, acrylic and silkscreen on canvas, printed by Alexander Hainrici, stamped Undenied and numbered from an edition of 40 verso, printed using the original acetates used by Warhol; canvas: 102 x 102cm
Estimate: £5,500-£6,500
Darren Coffield (British b.1969), ‘Andy Warhol (Paradox Portrait)’, 2013, screenprint in colours on 300 gsm Somerset Satin paper, signed and numbered from an edition of 75 in pencil, published by Lazarides; sheet: 76 x 56cm
ARR
Estimate: £100-£150
Tracey Emin (British b.1963), ‘You Loved me Like A Distant Star’, 2016, offset lithograph in colours on 250 gsm silk finish paper, signed in silver pen, from an edition of 500, published by Emin Internation, London; sheet: 70 x 50cm
ARR
Estimate: £500-£700
Keith Haring (American 1958-1990), untitled (Snake), 1983, lithograph on paper, from an edition of 300, published by Lucia Amelio Gallery, Napoli, Italy; 53 x 39cm inc frame
Estimate: £500-£600
Darren Coffield (British b.1969), ‘Pablo Picasso (Paradox Portrait)’, 2013, screenprint in colours on 330 gsm Somerset Satin paper, signed and numbered from an edition of 75 in pencil, published by Lazarides; sheet: 76 x 56cm
ARR
Estimate: £100-£150
David Shrigley (British b.1968), ‘It’s OK’, 2016, screenprint in colours on Fabriano Artistico 640 gsm paper, numbered from an edition of 100 in pencil verso; sheet: 14.9 x 10.3cm
Note: This edition was released as part of the Art on a Postcard Portfolio
ARR
Estimate: £400-£600
Keith Haring (American 1958-1990), ‘See No Evil, Hear No Evil, Speak No Evil’, offset lithograph in colours, published by The Estate of Keith Haring; sheet: 61 x 87cm
Estimate: £400-£600
Nick Grindrod (British b.1974), ‘1988’, 2018, acrylic and mixed media on ply panel, signed, titled, dated and inscribed in black marker verso; 63 x 63cm inc frame
Estimate: £600-£800
Chloe Early (Irish b.1980), ‘Queen Of The Wild Frontier’, 2016, archival pigment print on 330 gsm Somerset paper, signed and numbered from an edition of 100 in pencil, with Lazarides bindstamp, published by Lazarides; sheet: 70 x 50cm
ARR
Estimate: £150-£200
Jasper Johns (American b.1930), ‘Painting With Two Balls I’, 1962, unsigned facsimile copy, published by Telamon Editions post 1986; sheet: 57.5 x 44.5cm
Estimate: £150-£250
Keith Haring (American 1958-1990), ‘Dog’, offset lithograph in colours, published by The Estate of Keith Haring; sheet: 61 x 87cm
Estimate: £400-£600
Adam Hayes (British), ‘New York Music Map’, 2013, screenprint on Somerset Satin 300 gsm paper, published by Kingdom Collective; sheet: 59 x 42cm
ARR
Estimate: £100-£150
Connor Brothers (British b.1968), ‘I Tried To Drown My Sorrows’, 2014, giclee with silkscreen varnish on paper, signed, dated and numbered from an edition of 95 in pencil; sheet: 70 x 50cm
ARR
Estimate: £300-£500
Keith Haring (American 1958-1990), ‘Radiant Baby’, offset lithograph in colours, published by The Estate of Keith Haring; sheet: 61 x 87cm
Estimate: £400-£600
Ron English (American b.1966), ‘Star Skull (Screenprint Series Number 18)’, 2011, spraypaint on 400 gsm Somerset Velvet paper, signed in pencil, from a series of 20 unique works, published by Lazarides; sheet: 76 x 76cm
Estimate: £500-£600
Jasper Johns (American b.1930), ‘Flag II’ 1986, lithograph on Tan Kraft paper, unsigned facsimile copy, published by ULAE; sheet: 57 x 44.5cm
Estimate: £200-£300
Ron English (American b.1966), ‘Figment (Pink On Black)’, 2011, screenprint in colours on 335 gsm Coventry Rag paper, signed and numbered from an edition of 10 in pencil, published by Lazarides; sheet: 61 x 61cm
Estimate: £120-£150
Charming Baker (British b.1964), ‘A Fall To Alms (Special Edition)’, 2014, Archival Inkjet and 2 colour silkscreen with hand applied 24 carat gold leaf and a hand drawn dove on 330 gsm Somerset Satin paper, signed and numbered from an edition of 25 in pencil, with Charming Baker and Jealous Prints blindstamps; sheet: 88.5 x 70cm
With COA
ARR
Estimate: £1,500-£2,000
Ron English (American b.1966), ‘Figment (Green On Black)’, 2011, screenprint in colours on 335 gsm Coventry Rag paper, signed and numbered from an edition of 10 in pencil, published by Lazarides; sheet: 61 x 61cm
Estimate: £120-£150
Candice Tripp (South African b.1985), ‘Do You Think Your Mom Will Notice?’, 2008, hand embellished screenprint in colours on paper, signed and numbered from an edition of 45 in pencil, published by Lazarides; sheet: 54.5 x 54.5cm
Estimate: £100-£150
Richie Culver (British b.1983), ‘I Loved You, You Just Couldn’t See It’, 2012, acrylic on canvas, signed and dated to canvas overlap; canvas: 40.5 x 30.5cm
ARR
Estimate: £1,500-£2,000
Ron English (American b.1966), ‘Marilyn Comic’, 2011, archival pigment print and screenprint on Archival Hot Press Bright 300 gsm paper, signed and numbered from an edition of 50 in pencil; sheet: 76 x 56cm
Estimate: £220-£260
Tracey Emin (British b.1963), ‘Taken To Another Place’, 2011, polymer gravure on paper, signed, titled, dated and numbered from an edition of 200 in pencil; sheet: 37.5 x 45.5cm ARR
Estimate: £1,000-£1,500
Nick Smith (British), ‘Marie-Therese Walter’, 2018, giclee on Fabriano 5 paper, signed, dated and numbered from an edition of 88 in pencil, with Nick Smith blindstamp; sheet: 78 x 69cm
ARR
Estimate: £300-£500
Tracey Emin (British b.1963), ‘It’s Different When You Are In Love’, 2012, offset lithograph in colours, signed in pencil, published by Emin Internation; sheet: 25 x 21cm
With Original Envelope
ARR
Estimate: £200-£300
Ron English (American b.1966), ‘Yucky Charmer’, 2011, archival pigment print on 310 gsm Hahnamuhle German etching paper, signed and numbered from an edition of 50 in pencil; sheet: 38.5 x 26.5cm
Estimate: £100-£150
Ron English (American b.1966), ‘Marilyn Comic’, 2011, archival pigment print and screenprint on Archival Hot Press Bright 300 gsm paper, signed and AP in pencil, outside the edition of 50; sheet: 76 x 56cm
Estimate: £120-£160
Gavin Turk (British b.1967), ‘Grand Tour Cup (Paper)’, 2015, stained paper cup, signed and dated in pencil to the cup, signed, titled, dated and numbered from an edition of 50 in pencil to the mount; 43.5 x 33.5cm inc frame; ‘Black Gold’, 2015, crude oil on canvas, signed verso, from an edition of 10 APs, outside the edition of 100; 43.5 x 33.5cm inc frame, ‘Tractatus’, 2016, crude oil on canvas, signed and dated in black pen verso, from an un-numbered edition of 100 unique works; 43.5 x 33.5cm
All Three works are in matching, box frames, framed by the artist
ARR
Estimate: £5,000-£7,000
Makenol Profil (Haitian), ‘Timelessness’, 2013, acrylic on canvas, signed and dated lower right; canvas: 61 x 51cm
Estimate: £1,000-£1,500
Charming Baker, (British b.1964), ‘Bird’, 2017, graphite on paper, unique, signed and dated in pencil, released at the Art Car Boot Fair; sheet: 30.5 x 30.5cm
ARR
Estimate: £600-£800
Richie Culver (British), ‘Old Elephant Manz’, 2015, mixed media on paper, signed and dated in pencil, titled in colours pencils; 97.5 x 82.5cm inc frame
ARR
Estimate: £1,000-£1,500
Ian Francis (British b.1979), ‘Two People Go On Holiday Forever’, 2012, archival pigment print with silkscreen gloss varnish on 330 gsm Somerset Enhanced Satin paper, signed and numbered from an edition of 20 in pencil, published by Lazarides; sheet: 80 x 82cm
ARR
Estimate: £400-£500
Ian Francis (British b.1979), ‘Revolving Cage’, 2016, archival pigment print on 330 gsm Somerset paper, signed and numbered from an edition of 100 in pencil; sheet: 50 x 70cm
ARR
Estimate: £100-£150
Ian Francis (British b.1979), ‘Crush’, 2011, archival pigment print with gloss varnish on 330 gsm Somerset Satin paper, signed, dated and AP in pencil, outside of the edition of 30; sheet: 70 x 50cm
ARR
Estimate: £250-£300
Tracey Emin (British b.1963), ‘Further Back To You’, 2014, Polymer Gravure on 300 gsm Somerset paper, signed, titled, dated and numbered from an edition of 150 in pencil; sheet: 41.5 x 50.5cm
ARR
Estimate: £1,500-£2,000
Damien Hirst (British b.1965), ‘Relationships’ 1991, drinking glass, ping pong ball and cardboard tube, signed and numbered from an edition of 125 in black pen to the certificate / insctruction manual, published by ICA Editions; tube: 18.5cm high
ARR
Estimate: £400-£600
Peter Blake (British b.1932), ‘Joseph Cornell’s Holiday – Margate’, 2015, silkscreen print on Somerset paper, signed and numbered from an edition of 150 in pencil; sheet: 29.5 x 21cm
Notes: Released at the Margate Art Car Boot Fair, 2015
ARR
Estimate: £100-£150
Miaz Brothers (Italian Duo), ‘Old Master 9’, 2016, acrylic on canvas, signed, dated and stencilled verso; canvas: 81 x 65cm
With Original Stencilled Crate
ARR
Estimate: £5,000-£7,000
David Shrigley (British b.1968), ‘I Am Currently On Fire’, 2017, screenprint in colours on Somerset Tub Sized 410 gsm paper, signed, dated and numbered from an edition of 100 in pencil verso; sheet: 75 x 56cm
ARR
Estimate: £1,500-£2,000
Tracey Emin (British b.1963), ‘About To Fly’, 2014, polymer gravure on paper, signed, dated, titled and numbered from an edition of 200 in pencil, published by Emin International; sheet: 33 x 30cm
ARR
Estimate: £2,200-£2,600
Darren Coffield (British b.1969), ‘David Hockney (Paradox Portrait)’, 2013, screenprint in colours on 300 gsm Somerset Satin paper, signed and numbered from an edition of 75 in pencil, published by Lazarides; sheet: 76 x 56cm
ARR
Estimate: £100-£150
Charming Baker (British b.1962), ‘Lost’, 2016, archival inkjet with copper leaf overlay on 300 gsm Somerset Satin paper, signed and numbered from an edition of 15 APs, outside the edition of 100, published by Jealous Prints; sheet: 56 x 52cm
ARR
Estimate: £300-£500
Keith Haring (American 1958-1990), ‘Montreux Festival De Jazz’ 1983, advertising poster, published by Serigraphie Uldry Berne; 101 x 71cm inc frame
Estimate: £600-£800
Warren Du Preez & Nick Thorton-Jones (Duo), ‘Alice Temple’, 2008, screenprint on paper, from an unsigned and unnumbered edition of 130; sheet: 64 x 49cm
ARR
Estimate: £100-£150
Gavin Turk (British b.1967), ‘Tyre Print’, 2008, screen ink on paper, signed and dated in pencil, from an edition of 100; sheet: 61 x 100cm
ARR
Estimate: £500-£700
Pete Hawkins (Panama b.1980), ‘In Hindsight’, 2013, transfer print on wood panel, signed, dated and numbered from an edition of 25 in black marker verso; panel: 50 x 50cm
Estimate: £200-£250
Kristjana S Williams (Icelandic), ‘Eitthvad Sudur a Bogin’, giclee on 300 gsm paper, signed in pencil, from an edition of 175; sheet: 42 x 42cm
ARR
Estimate: £100-£150
Jasper Johns (American b.1930), ‘Flag III’ 1986, lithograph on Arches, unsigned facsimile copy, published by ULAE; sheet: 57 x 44.5cm
Estimate: £200-£300
Richie Culver (British), ‘Slip Back’, 2016, giclee on paper, signed, dated and numbered from an edition of 15 in pencil; sheet: 42 x 30cm
ARR
Estimate: £200-£300
Charming Baker (British b.1962), ‘Calf’, 2016, archival inkjet on 330 gsm Somerset Satin paper, signed and AP in pencil, outside of the edition of 125, published by Jealous Prints; sheet: 50 x 50cm
ARR
Estimate: £100-£200
Josh Keyes (American b.1969), ‘The Call I’, 2009, giclee on 310 gm Hahnemuhle paper, signed, initialled, titled, dated and numbered form an edition of 750 in pencil, with Limited Addiction Publishing blinstamp, sheet: 51 x 67.5cm
Estimate: £400-£600
Andrew Wellman (Australian b.1966), quadriptych, 2004, acrylic on canvas, each canvas signed and numbered verso, the first canvas bearing the artists stamp verso, the forth canvas signed and dated by the artist front; canvas: 60 x 60cm (each); total: 240 x 60cm (4)
Estimate: £600-£800
David Shrigley (British b.1968), ‘Really Good (Fourth Plinth)’, 2016, polystone sculpture, signed under the base in black marker, from an edition of 3000; 29cm high
ARR
Estimate: £150-£250
Attributed to Giuseppe Capogrossi (Italian 1900-1972), untitled, 1962, abstract pen and ink study on paper, signed and dated in pen front; 34 x 42cm inc frame
ARR
Estimate: £300-£500
Alessandro Padovan (Italian b.1983), ‘Elizabeth II’, 2017, Screw Art, acrylic on bronzed screws tapped into board, signed, titled and dated verso; board: 75 x 60cm
With Drill Monkeys COA
Estimate: £500-£700
Kayava (Haitian), ‘Love Is Blind’, contemporary oil on canvas, signed lower right; canvas: 112 x 76.5cm
Estimate: £1,000-£1,500
Vittorio Sopracase (Italian 1942-2016), ‘Parentesi’, 2006, oil on wooden panel, signed front, signed, titled, dated and inscribed verso; 40 x 14.5cm
Estimate: £600-£800
Luke Martineau (British b.1970), ‘Big Leap’, contemporary oil on board, bearing Panter & Hall label verso; board: 91.5 x 69.5cm
ARR
Estimate: £300-£500
Charming Baker (British b.1964), ‘Bird II’, 2011, three colour screenprint and archival inkjet on 330 gsm Somerset Satin paper with hand drawn bird, signed and AP in pencil outside of the edition of 125, with Charming Baker and Jealous Prints blindstamp; 93 x 79cm inc frame
ARR
Estimate: £600-£800
Alexander Millar (Scottish b.1960), ‘Jumping Jack Flash’ 2005, oil on canvas, signed front, titled to stretch verso, bearing artists inscription and Castle Galleries label verso; canvas: 61 x 50.5cm
Provenance: Purchased by the current owner from Castle Galleries, 2005
ARR
Estimate: £1,000-£2,000
Ashkal (Pakistani b.1970), ‘Maharaja Ram Singh On Horseback’, 2012, mixed media and watercolour on paper, signed and dated in pen; 31.5 x 34.5cm inc frame
Estimate: £500-£700
Pete Hawkins (Panama b.1980), ‘Study For Hide And Seek’, 2013, oil on wooden panel, signed and dated in black pen verso, bearing Lazarides label verso; 43 x 36cm
Estimate: £800-£1,200
Chloe Early (Irish b.1980), ‘Boundary’, 2009, screenprint in colours on cotton rag, signed and numbered from an edition of 100 in pencil, with BLK MRKT Editions blindstamp; sheet: 45.5 x 61cm
ARR
Estimate: £150-£250
Greg Haberny (American b.1975), ‘Made In China’, hand embellished silkscreen in colours on wove paper, with heavy hand application, signed and numbered from an edition of 50 unique works verso; 77 x 113cm inc frame
Estimate: £400-£600
Shezad Dawood (British b.1974), ‘I.A.M.’, 2011, wall mounted neon lighting, from an edition of 3 + 2 APs; 66 x 76cm when displayed as per artists specification
ARR
Estimate: £6,000-£8,000
Damien Hirst (British b.1965), ‘And Then There Were Four, A Famous Musketeer’, 2002, dart, onion and cardboard box, signed in black marker to the underside of the lid, from an edition of 2000; box: 26.5cm x 10.5cm x 10.5cm
ARR
Estimate: £400-£600
David Bray (British b.1970), untitled (female figure), pen on reclaimed cardboard packaging, initialled DB in pen; 31.5 x 26cm inc frame
ARR
Estimate: £800-£1,000
Charming Baker (British b.1964), Lie Down I Think I Love You, Milke Studios exhibition poster, March 21 – 24, 2013, signed by the artist in black pen; sheet: 150 x 100cm, together with a Charming Baker, Everything Must Go, 2011 exhibition poster, sgned by the artist in black pen; sheet: 52.5 x 37cm (2) ARR
Estimate: £100-£150
Vittorio Sopracase (Italian 1942-2016), ‘Fili Della Memoria’, 2007, oil on board, signed front, signed, titled, dated and inscribed verso, with Gallery Label verso; board: 21.5 x 32.5cm
Estimate: £600-£800
Charming Baker (British b.1964), ‘LA Live Set’, 2013, a set of five two colour screenprint, all signed in pencil and stamped; sheet: 31.5 x 56cm each (5)
ARR
Estimate: £200-£400
Ed Atkins (British b.1982), ‘Ribbons (fuck my life)’, 2014, hand embellished giclee print in colours on 210 gsm matt paper, signed and numbered from an edition of 100 in pen; 30.5 x 22cm inc frame
ARR
Estimate: £200-£300
Ed Templeton, (American b.1972), ‘Wasted Space Is….’, 2004, silkscreen in colours on archival paper, signed, dated and numbered from an edition of 200 in pencil, published as Part 1 of The Beautiful Losers Portfolio; sheet: 40.5 x 50.5cm
Estimate: £150-£250
Ian Francis (British b.1979), ‘Hotel/Porn’, 2006, giclee on IlFord Gallerie fine are paper, signed, titled and numbered from an edition of 250 in pencil, published by Prime Arts; sheet: 52.5 x 63cm
With Prime Arts COA
ARR
Estimate: £150-£250
Georgina Starr (British b.1968) for BBC 4, ‘She Is Alive’, 2002, Bunny Lake T-Shirt and tote bag, both in red (2)
Estimate: £100-£200
Jamie Reid (British b.1947), ‘Dirty Fake Old Queen’, 2015, giclee in colours on wove paper, publised by L-13 London, signed and numbered from an edition of 231 in black ink, uniquely folded and distressed by the artist; sheet: 52 x 68cm
ARR
Estimate: £150-£250
Jonas Profil (Haitian), ‘Shut Up’, 2015, acrylic on canvas, signed and dated lower right; canvas: 61 x 51cm
Estimate: £1,000-£1,500
Mark Titchner (British b.1973), ‘Time Is Truth’, 2006, screenprint in Somerset paper, signed and numbered from an edition of 70 in pencil verso, published as part of the Studio Voltaire Print Portfolio 2006; sheet: 42 x 29.5cm
ARR
Estimate: £300-£500
Keith Haring (American 1958-1990), ‘Homo Decorans’, 1985, offset lithograph in colours, signed and dated ’88 in black marker; sheet: 62 x 85cm
Estimate: £1,500-£2,500
Bonnie And Clyde (British), ‘Recreation’, silkscreen and giclee in colours on paper, signed, titled and numbered from an edition of 30 in pencil; 110 x 81cm inc frame ARR
Estimate: £400-£600
Russell Marshall (British), ‘Just Sid (Yellow)’, 2012, screenprint in colours on 410 gsm Somerset paper, signed in pencil, with blindstamp; sheet: 45 x 37.5cm ARR
Estimate: £100-£150
Ryan Gander (British b.1976), ‘Investigation 54 – Eye Sea Knows Ships’, 2010, lithograph in colours, from an edition of 150, published by Studio Voltaire; 61 x 44cm inc frame
ARR
Estimate: £200-£300
Microbo (Italian b.1970), ‘Pandora e Sarsicus’, 2008, hand embellished screenprint in colours on paper, signed, dated and numbered from an edition of 50 in pencil; 61 x 46cm inc frame
ARR
Estimate: £100-£150
Kennardphillips (British Duo), ‘Dollar Framed 2’, 2008, original pigment print on card, printed and burnt, signed and dated in pencil to the frame verso; 90 x 66cm icn frame
ARR
Estimate: £750-£1,000
Guy Yanai (Israeli b.1977), ‘Sailing Into Town’, 2016, offset print in colours on 280g Arches paper, sighed and numbered from an edition of 20 in pen to Certificate of Authenticity sticker verso, published by Yundler Brondino Verlag, bearing artist’s stamps and inscription to the frame verso; 53 x 71cm inc frame
Estimate: £400-£600
Blu (Italian), ‘Headquarters’, 2008, screenprint in colours on archival paper, signed in pencil, outside of the edition of 150; sheet: 75 x 56cm
ARR
Estimate: £200-£300
George Morton Clark (British b.1982), untitled (Masked Woman), 2009, oil on panel, signed and dated; panel: 122 x 89.5cm
ARR
Estimate: £600-£800
Lucas Price (British b.1980), ‘Teenage Phantom #102 (Verdigris)’, 2013, hand embellished giclee print, with screenprinted background on 330gsm Somerset Satin paper, signed and numbered from an edition of 80 in pencil, with Lazarides blindstamp; 80 x 62cm inc frame ARR
Estimate: £150-£250
Gavin Turk (British b.1967), ‘Rodin, Morris, Cezanne, Matisse, Man Ray, Dali’, 2015, lithographic print on paper, signed,, dated and numbered from an edition of 250 in pen; sheet: 50 x 52.5cm ARR
Estimate: £100-£150
Studio Voltaire Print Portfolio, 2006, a collection of four limited edition prints, to include; Nils Norman, ‘Imaginary Protector Of Our Lord Protector Gentroficator General’, Donald Urquhart, ‘What A Bitch’, Matthew Higgs, ‘Portrait (Landscape)’ and Joanne Tatham & Tom O’Sullivan, ‘What Do You Represent?’, all signed and numbered from an edition of 70 verso; (4)
ARR
Estimate: £200-£300
Microbo (Italian b.1970), ‘Matchiufus’, 2008, hand embellished screenprint in colours on paper, signed, dated and numbered from an edition of 50 in pencil; 61 x 46cm inc frame
ARR
Estimate: £100-£150
Chloe Early (Irish b.1980), ‘Airbourne’, 2009, screenprint in colours on cotton rag, signed and numbered from an edition of 100 in pencil, with BLK MRKT Editions blindstamp; sheet: 45.5 x 61cm
ARR
Estimate: £150-£250
Alexis Diaz (Puerto Rican), ‘Octophant’, 2014, screenprint in colours on Hahnemuhle 350 gsm paper, signed, dated and numbered from an edition of 55 in pencil; 53 x 73cm inc frame
Estimate: £200-£300
Jonas Wood (American b.1977), ‘Jonas Wood Prints’, Gagosian New York exhibition poster; sheet: 76 x 61cm
Estimate: £100-£150
Jonas Wood (American b.1977), ‘Landscape Pot With Flower Chair’, 2015, Astrup Fearnley Museet exhibition poster; sheet: 70 x 50cm
Estimate: £150-£200
Microbo (Italian b.1970), ‘Bafometicus Cornutae’, 2008, hand embellished screenprint in colours on paper, signed, dated and numbered from an edition of 50 in pencil; 61 x 46cm inc frame
ARR
Estimate: £100-£150
Grayson Perry (British b.1960), ‘Gay Black Cats MC’, 2017, hand made cotton fabric and embroidery applique, from an edition of 150 + 10 APs; 97 x 148cm
With Serpentine Galleries COA and Original Box
ARR
Estimate: £2,500-£3,500
Dan Baldwin (British b.1972), ‘Divine Revelation’, 2006, giclee and screenprint on paper, signed, titled and numbered from an edition of 150 in pencil; sheet: 90 x 90cm
ARR
Estimate: £150-£250
Pablo Picasso (Spanish 1881-1973), ‘Picasso’s Workshop (Carnet de la Californie Suite)’, 1955, lithograph in colours, dated to the block, published by Mourlet Freres, 1959; 56 x 70cm inc frame
Estimate: £200-£300
Dan Baldwin (British b.1972), ‘Flirting With Death (Black)’, 2008, silkscreen on 300 gsm Velin Arches paper with gold and silver leaf, signed and numbered from an edition of 50 in silver pen, published by Art Republic; sheet: 61 x 61cm
ARR
Estimate: £300-£500
Sage Vaughn x Michael Muller (Collaboration), ‘Focus’, acrylic and c-print in vellum, signed by both artists verso; 73.5 x 53cm inc frame
Estimate: £1,500-£2,000
Yannis Kottis (Greek b.1949), ‘Sunny Interior’ (recto); ‘Town’ (verso), 1975, oil on canvas, signed and dated lower right; 65.5 x 75.5cm inc frame
Provenance: Christie’s South Kensington – 28.02.2012
Estimate: £1,800-£2,200
Jessica Albarn (British b.1971), ‘Tree Bumble Bee’, 2016, screenprint in colours on Somerset Satin paper, signed and numbered from an edition of 50 in pencil; sheet: 76 x 51cm
ARR
Estimate: £100-£150
Ben Buchanan (British), ‘Jean-Michel Basquait – PREE’, photographic print on aluminium panel, signed and titled in pen verso, bearing White Wall Seal of Quality label verso and A Ben Buchanan Photo authentication stamp verso; 120 x 80cm
Estimate: £1,500-£1,800
Pablo Picasso (Spanish 1881-1973), ‘Suite De 180 Dessins De Picasso’, 1954, lithograph in colours, signed and dated to the block, published by Mourlet Freres; 65 x 55cm inc frame
ARR
Estimate: £200-£300
Richard Avedon (American 1923-2004), ‘The Beatles’, 1967, a full set of four offset lithographs in colours, published by Stern Magazine as part of an open ediiton; 72 x 51.5cm inc frame (4)
Estimate: £800-£1,000
Charming Baker (British b.1964), ‘Sweet Nothing (Silver & Gold)’, 2016, a pair of lithographs with 3 colour overlay on Fedrigoni Acroprint EW 250 gsm paper, both signed and numbered from editions of 75 in pencil, both with Charming Baker blindstamps; sheet: 70 x 50cm each
Notes: Released as special edition show posters for Charming Baker’s Sweet Nothing solo exhibition, held at Sotheby’s S2 Gallery 15th April – 27th May 2016, the posters display the works ‘Just Another End’ and ‘A Misleading Alignment In Space And Time’
ARR
Estimate: £100-£150
The Date Farmers (American Duo), ‘Free Sleep’, 2009, screenprint in colours on archival paper, signed in pencil, outside of the edition of 125; sheet: 49 x 72.5cm
Estimate: £100-£150
Nick Grindrod (British b.1974), ‘Conclave’, 2018, acrylic and mixed media on ply panel, signed, titled and dated in black pen verso; 64 x 64cm inc frame
Estimate: £600-£800
David Bray (British b.1970), untitled (female figure), pen on reclaimed cardboard packaging, initialled DB in pen; 31.5 x 26cm inc frame
ARR
Estimate: £800-£1,000
Pablo Picasso (Spanish 1881-1973), ‘The Broken Lance’, 1959, linocut, dated to the block, published in collaboration with Galerie Louise Leiris, 1962; 61 x 64cm inc frame
Estimate: £200-£300
Blu (Italian), ‘Funeral’, 2007, screenprint in colours on 200 gsm recycled straw buff paper, signed in pencil, outside of the edition of 250; sheet: 70 x 50cm
ARR
Estimate: £200-£300
Charming Baker (British b.1964), ‘Love Is Never Thinking It Might End Before We Do’, 2011, giclee with screenprinted varnish on Somerset paper, signed and numbered from an edition of 250 in pencil, with Charming Bake and Jealous Prints blinstamps, published by Jealous Prints; 66.5 x 65.5cm inc frame
ARR
Estimate: £300-£500
Gerhard Richter (German b.1932), ‘Flow (P15)’, 2016, diasec-mounted chromogenic print on aluminum composite panel, published by the artist and Fondation Beyeler, Basel, in collaboration with Heni Productions, London, with their label verso, numbered from an edition of 500, 100cm x 200cm
ARR
Estimate: £6,500-£7,500
Gerhard Richter (German, b.1932), Flow (P16), 2016, diasec-mounted chromogenic print on aluminum composite panel, published by the artist and Fondation Beyeler, Basel, in collaboration with Heni Productions, London, with their label verso, numbered from an edition of 500; 100cm x 200cm
ARR
Estimate: £6,500-£7,500
Jonas Wood (American b.1977), ‘Interiors And Landscapes’, 2017, exhibition show poster; sheet: 61 x 46cm
Estimate: £150-£250
Jimmy Lawlor (Irish b.1967), ‘Pulling A Fast One’, 2011, oil on board, signed front, titled in pencil verso, bearing The Contemporary Fine Art Galley, Eton, label verso; 54 x 54cm inc frame
ARR
Estimate: £300-£500
Kristjana S Williams (Icelandic), ‘Lear Og Barraband Gaukar’, archival giclee in colours on 300 gsm Hahnemuhle paper, signed and A/P in pencil; sheet: 84 x 119cm
ARR
Estimate: £300-£500
Charming Baker, ‘All This Is Yours’ exhibition book, released in conjunction with the ‘All This Is Yours’. Exhitibiton, Miami, 2017, published December 2017, signed in pencil, from an edition of 600 Charming Baker, together with ‘Lie Down I Think I Love You’, 2013, snow globe, numbered from an edition of 1000 to the box (2)
Estimate: £100-£150
Bruce Nauman (American b.1941), ‘Body Pressure’, 1974, offset print on paper, published by MOMA, from an open edition; sheet: 63 x 41cm
Estimate: £200-£400
Miaz Brothers (Italian Duo), ‘Lady J’, 2016, acrylic on canvas, signed, dated and stencilled verso; canvas: 194 x 98cm
With Original Stencilled Crate
ARR
Estimate: £12,000-£15,000
Andy Warhol (American 1928-1987), ‘Nude Male’, circa 1970s, original pencil drawing on Interview headed paper, with hand written inscription; 35.5 x 39cm inc frame
Estimate: £8,000-£10,000
Kristjana S Williams (Icelandic), ‘Fjolurautt Pall’, giclee in colours on 300 gsm paper, signed and numbered from an edition of 145 in pencil; 55 x 53cm inc mount ARR
Estimate: £100-£150
Andrew Ingram (British), ‘Odd Tower’, 2010, pencil and ink on paper, signed in pencil lower right; 37.5 x 29.5cm inc frame
ARR
Estimate: £100-£150
Jeremy Deller (British b.1966), ‘He’s A Rainbow (Tony Ogden)’, 2006, screenprint on iridescent mirror card, signed, titled and numbered from an edition of 70 in pencil verso, published as part of the Studio Voltaire Print Portfolio 2006; sheet: 29.5 x 42cm
ARR
Estimate: £400-£600
Mat Collishaw (British b.1966), ‘Blowback’, 2015, chromogenic print, signed and numbed from an edition of 100 in black pen to label; sheet: 53.5 x 42cm ARR
Estimate: £600-£800
Andrew Ingram (British), ‘Nose Picker’, 2010, pencil and ink on paper, signed in pencil lower right; 44 x 31cm inc frame
ARR
Estimate: £100-£150
Manolis Polymeris (Greek b.1951), ‘Andromach’, 1985, oil on panel, signed front, titled and dated verso, bearing Greek export stamp verso; 102 x 72cm inc frame
Provenance: A Single-Owner Collection of Cypriot History & Culture from The Cyprus Museum of Jacksonville, North Carolina
ARR
Estimate: £1,200-£1,800
Charming Baker (British b.1964), Original Drawing, 2017, graphite on paper, unique, signed and dated in pencil; sheet: 31 x 31cm
ARR
Estimate: £800-£1,000
Anthony Lister (Australian b.1979), ‘Gold Guard Seven’, 2012, mixed media and resin on wood, signed and dated verso; 28 x 22cm
Estimate: £250-£350
Charlotte Cory (British b.1956), ‘Edward Ebley’, circa 2012, photomelange woth silver medal, signed and numbered from an edition of 20 to the mount; 115 x 84.5cm inc frame
With Signed COA Sticker Verso
ARR
Estimate: £200-£300
Charming Baker (British b.1964), ‘Sorry’, 2015, archival inkjet with 1 colour screenprint overlay on Somerset Satin enhanced 330 gsm paper, signed and AP in pencil, outside of the ediiton of 125, with Charming Baker blindstamp; sheet: 59 x 53.5cm
ARR
Estimate: £200-£300
Anthony Lister (Australian b.1979), ‘Gold Guard Four’, 2012, mixed media and resin on wood, signed and dated verso; 28.5 x 21.5cm
Estimate: £300-£350
Kelsey Brookes (American b.1978), ‘Thai Terror I’, 2007, screenprint in colours on paper, signed and numbered form an edition of 120 in pencil, with POW blindstamp; sheet: 60 x 60cm, together with ‘Bikini Circus’, 2007, screenprint in colours, signed and numbered from an edition of 100 in pencil, with POW blindstamp; sheet: 70 x 50cm
Estimate: £200-£300
Ron English (American b.1966), ‘Star Skull (Screenprint Series Number 4)’, 2011, spraypaint on 400 gsm Somerset Velvet paper, signed in pencil, from a series of 20 unique works, published by Lazarides; sheet: 76 x 76cm
Estimate: £500-£600
Kelsey Brookes (American b.1978), ‘Bird’, 2006, screenprint in colours on paper, signed and numbered from an edition of 50 in pencil, published by Pictures On Walls; sheet: 50 x 35cm
Estimate: £100-£200
Peter Doig (Scottish b.1959), ‘Canoe – Island’, 2000, silkscreen in colours on 300 gsm Somerset Tub Sized paper, from an edition of 300, published by Coriander Studios, London; 83.5 x 110.5cm
ARR
Estimate: £2,500-£3,500
Tracey Emin (British b.1963), ‘Beautiful Girl II’, 2014, etching with Cine-colle on 300 gsm Somerset paper, sight, titled, dated and numbered from an ediiton of 100 in pencil; sheet: 31.5 x 27.5cm
ARR
Estimate: £2,000-£3,000
Kelsey Brookes (American b.1978), ‘Hindu Remix’, screenprint in colours on paper, signed in pen, numbered from an edition of 50 in pencil, published by Pictures On Walls; sheet:
Estimate: £100-£200
Mason Storm (British), ‘W Line NYC’, 2017, oil on canvas, signed, titled and dated verso; 46.5 x 36.5cm inc frame
Estimate: £500-£700
Tracey Emin (British b.1963), ‘Last In Love’, 2011, photo by Ben Westoby, courtesy of White Cube, signed and dated 2012 by the artist in pen; sheet: 28 x 35.5cm
Estimate: £300-£400
Marc Quinn (British b.1964), book plate, 1998, hand signed illustration against land-mines, signed and dated by the artist in gold pen; 45.5 x 36cm inc frame
ARR
Estimate: £200-£300
Lucy McLauchlan (British b.1978), ‘Is Hate Too Strong A Word (Green)’, 2006, screenprint in colours on paper, signed, dated and numbered from an edition of 200 in pencil; sheet: 70 x 50cm
ARR
Estimate: £100-£200
Rachel Howard (British b.1969), ‘Sleeping Woman On A Day Bed’, 2010, ink on paper, initialled and dated front, initialled and dated in black marker verse, titled, dated, inscribed and signed in pencil verso; sheet: 21 x 28.5cm
ARR
Estimate: £1,000-£1,500
Grayson Perry (British b.1960), ‘Reliquary’, 2009, ceramic fragment in incised metal pendant, produced by the artist for Tate Gallery, with original cloth pouch and presentation box; 8cm high
ARR
Estimate: £400-£600
Charming Baker (British b.1964), ‘Nellephant (Paper Edition)’, 2016, 20 colour screenprint, hand embellished with graphite and black flocking on Somerset Satin 410 gsm paper, signed and numbered from an ediiton of 35 in pencil, with Charming Baker and Jealous Prints blindstamps; sheet: 78 x 62cm
With COA
ARR
Estimate: £1,000-£1,500
David Hockney ‘A Bigger Book’, a hard cover ‘sumo’ book, comprising of 498 pages and 13 foldouts, published by Taschen, sold with an adjustable stand designed by Marc Newson, from a limited edition of 10,000; book: 70 x 50cm, stand: 98cm high when in display position
With Original Box
Estimate: £1,300-£1,500
Lucy McLauchlan (British b.1978), ‘Forest’, 2006, two colour screenprint on paper, signed and numbered from an edition of 300 in pencil, published by Pictures On Walls; sheet: 50 x 70cm
ARR
Estimate: £100-£200
Ai Weiwei (Chinese b.1957), ‘Finger Sculpture’, 2017, electroplated rhodium on cast urethane resin, produced in collaboration with the Public Art Fund, signed to the base, from an edition of 1000; 12.5cm high
With Original Box
Estimate: £3,000-£4,000
Gavin Turk (British b.1967), ‘Black Gold’, 2015, crude oil on canvas, signed and dated verso, from a unique un-numbered edition of 100 +10 APs; canvas: 40 x 30cm
With Original Presentation Box
ARR
Estimate: £500-£700
David Bray (British b.1970), untitled (female figure), pen on reclaimed cardboard packaging, initialled DB in pen; 31.5 x 26cm inc frame
ARR
Estimate: £800-£1,000
Dinh Thi Tham Poong (Vietnamese b.1970), ‘Window Thoughts’, 2004, watercolour on rice paper, signed and dated front; 105 x 143.5cm inc frame
Estimate: £2,800-£3,200
Slinkachu (British b.1979), ‘Tug Of War’, Bank Of England, 2014, giclee on A3 newsprint, from an un-numbered and un-signed edition; sheet: 29 x 37cm (folded)
ARR
Estimate: £80-£120
Jasper Johns (American b.1930), ‘False Start II’, 1962, unsigned facsimile copy, published by Telamon Editions post 1986; sheet: 57.5 x 44.5cm
Estimate: £150-£250
Nick Smith (British), ‘Marilyn (Neon Pink Diamond Dust 2015)’, 2015, giclee print with diamond dust on Somerset Satin paper, signed, dated and numbered from an edition of 33 in pencil, with Nick Smith blindstamp, published by Art Republic; sheet: 70 x 69cm ARR
Estimate: £500-£700
Jasper Johns (American b.1930), ‘False Start I’, 1962, unsigned facsimile copy on BFK Rives paper, published by Telamon Editions post 1986; sheet: 57.5 x 44.5cm
Estimate: £150-£250
Andrew McAttee (British b.1975), ‘Galactica’, 2008, triptych, giclee with silkscreen on art paper, signed and numbered from an ediiton of 50 in pencil to the right hand sheet; 51.5 x 126.5cm inc frame ARR
Estimate: £400-£600
Andrew McAttee (British b.1975), ‘Holy Shh!’, 2012, giclee print on 310 gsm Hahnemuhle German etching paper, signed and numbered AP 3 in pencil, outside of the edition of 25; sheet: 38.5 x 76cm ARR
Estimate: £300-£500
Rupert Shrive (British b.1965), untitled, circa 2009, portrait of a woman, acrylic on formed paper; 77.5 x 64.5cm inc frame
ARR
Estimate: £800-£1,200
Sign up to hear about the latest news, events and forthcoming auctions
