A CHINESE FAMILLE-VERTE 'FIGURATIVE' WALL FOUNTAIN

Qing Dynasty, Kangxi Period

清康熙 五彩庭園仕女圖紋噴泉

The wall fountain of baluster form with a moulded lion mask spout, painted to depict scenes from from the Romance of the Western Chamber, with a young man stood atop a balcony gazing at three ladies on a terrace, surrounded by further pavillions at the back and vases adorned with flowers,

39cm high, 25cm wide

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PROVENANCE:

From the esteemed Collection of Mr. Basil Ionides and the Hon. Mrs. Nellie Ionides, Orleans House, Twickenham;

Thence by descent to Lady Camilla Panufnik née Jessel, (b. December 7, 1937), who married renown symphonic composer, Andrzej Panufnik.

來源：

巴茲爾·艾奧尼德斯先生與尊貴的內莉·艾奧尼德斯閣下伉儷珍藏；

此後家族傳承至米拉·帕努夫尼克 （生於 1937 年 12 月 7 日），其丈夫為著名交響樂團作曲家安傑伊·帕努夫尼克 。

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Nellie Ionides, born in July 2, 1883 1883 and passing away on November 15, 1962, was a distinguished English collector, connoisseur, and philanthropist. Renowned for her fervent dedication to preserving cultural heritage, she notably rescued the 18th-century Octagon Room at Orleans House in Twickenham from impending destruction. Furthermore, she generously bequeathed this historical treasure, along with numerous pieces from her extensive art collection, to the local council, now known as the London Borough of Richmond upon Thames. Nellie was the second child and eldest daughter of Sir Marcus Samuel and his wife Fanny (née Benjamin). Her father, Marcus, had notably served as Lord Mayor of London and established the Shell Transport and Trading Company, later evolving into Royal Dutch Shell.

Nellie's passion for art burgeoned from an early age, particularly focusing on Chinese porcelain and 18th-century artworks. This predilection not only shaped her personal identity but also her social standing within the British elite. Eager to share her collections with the public, she actively engaged with prestigious institutions like the Victoria and Albert Museum (V&A), the Royal Academy, and the British Museum, contributing to the enrichment of cultural heritage.

During the 1930s, Nellie aligned herself with influential figures like Sir Philip Sassoon, using her private apartments as exhibition spaces. In addition to her dedication to art preservation and philanthropy, Nellie Ionides was celebrated for her remarkable collection of Kangxi porcelain. Notably, in July 1947, members of the Oriental Ceramic Society were captivated by her and her husband's exquisite array of Chinese porcelain. Her generous donations to esteemed institutions like the V&A Museum, the British Museum, and the Brighton Pavilion further solidified her legacy as a prominent figure in the preservation of cultural treasures.

內莉·艾奧尼德斯（1883年7月2日-1962年11月15日），為一名英國傑出的收藏家、鑑賞家和慈善家。她以對保護文化遺產的熱忱奉獻而聞名。她著名地挽救了位於特威克納姆的奧爾良豪斯的十八世紀八角房間，使其免於即將被摧毀的命運。此外，她慷慨地將這個歷史寶藏以及她廣泛的藝術收藏中的眾多作品遺贈給了當地的議會，即現為倫敦泰晤士河畔列治文區。 內莉內莉是馬庫斯·塞繆爾爵士和其妻子范妮（婚前姓本傑明）的第二個孩子和長女。她的父親馬庫斯曾任倫敦市長，創辦了殼牌運輸和貿易公司，並後來發展成為荷蘭皇家殼牌公司。

內莉對藝術的熱愛從小就萌發，特別鍾愛中國瓷器和十八世紀藝術品。此愛好不僅塑造了她的個人身份，也使她在英國精英階層中樹立社會地位。她熱衷於與維多利亞和阿爾伯特博物館、皇家藝術研究院和大英博物館等著名機構合作，積極參與保育文化遺產。

在1930年代，內莉與菲利普·薩桑男爵等具影響力的人物密切合作，借出她的私人公寓用作展覽空間。除了致力於藝術保育及慈善事業外，內莉亦因其卓越的康熙瓷器收藏而受到讚譽。值得一提的是，在1947年7月，東方陶瓷協會的成員們被她和與丈夫的精美中國瓷器系列所吸引。她對維多利亞和阿爾伯特博物館、大英博物館和布萊頓英皇閣的慷慨捐贈進一步鞏固了她作為文化保護界重要人物的地位。

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PUBLICATIONS:

The Antique Collector Magazine, April 1955, The Residence of Mr. Basil Ionides and the Hon. Mrs. Nellie Ionides, p. 50

(Photographed in-situ at the staircase)

出版：

《古董收藏家雜誌》，1955年4月，巴茲爾·艾奧尼德斯先生與尊貴的內莉·艾奧尼德斯閣下伉儷的住宅，第50頁

（在樓梯處拍攝）

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NOTES:

Please see a similar example from the collection of Mompesson House, Wiltshire, Collection Number: NT 723472; Also compare a similarly decorated wall fountain from The Krause Collection sold at Bonhams, Los Angeles, 1-11 December 2023, Lot 20; another sold at Christie's, London, 16 November 1998; an example of the another type was sold at Bonhams, London, 22 March 2005, Lot 129.

The current fountain takes its inspiration from European metalware, specifically crafted for the Dutch market. This design likely emerged during the 17th century, coinciding with a flourishing trade in famille-verte porcelain exported to Holland via the V.O.C. It's probable that fountains of this style were originally paired with basins. Chinese export wall fountains share similarities with fountains adorned with aquatic motifs such as dolphins, crabs, and crustaceans. Historically, the latter were utilized during Roman Catholic mass for ceremonial handwashing rituals, comprising a ewer (or vessel with a tap) alongside a basin to collect the water. (For further reference, see William R. Sargent's "Treasures of Chinese Export Ceramics from the Peabody Essex Museum," New Haven, 2012, p. 178, cat. no.82).

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