Berman (Eugene)

Mackie, from The Threepenny Opera,

dated 1937 (lower right) and inscribed L'Opera de 4 sous (upper right) and Mackie (lower centre), watercolour and gouache, 26.5 x 19.5 cm.

***The Threepenny Opera is a musical play written by Bertolt Brecht and composed by Kurt Weill. It was first performed in Berlin in 1928 and has since become one of the most famous and influential plays of the 20th century.

The play is a satirical adaptation of John Gay's 18th-century ballad opera, The Beggar's Opera, and tells the story of a notorious criminal named Macheath (also known as Mack the Knife) as with the presnt work and his exploits in London's underworld.

The play is known for its biting social commentary and for its use of innovative theatrical techniques, such as breaking the fourth wall and using songs to comment on the action of the play. It also features a memorable score that includes songs such as "Mack the Knife" and "Pirate Jenny."

The Threepenny Opera was a major influence on the development of modern musical theater, particularly on the work of American composers such as Stephen Sondheim and John Kander. It has been translated into many languages and adapted for stage, film, and television productions around the world. The play's themes of corruption, poverty, and social injustice continue to resonate with audiences today.

Berman's paintings are characterised by their dreamlike imagery, with a focus on architectural elements such as ruins, staircases, and columns. He also incorporated classical motifs and religious iconography into his work, creating a sense of timelessness and spirituality.

In addition to his painting, Berman was also known for his stage designs, as in the present work, particularly for ballets and operas. He created elaborate sets and costumes that were inspired by his paintings, creating a seamless integration between his two artistic practices.

Berman's work had a significant influence on the development of surrealism in America, particularly on artists such as Salvador Dali and Max Ernst. His use of classical motifs and his emphasis on the subconscious mind were particularly influential in shaping the surrealist aesthetic.